social realism

During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.

Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends --Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind as Begbie and Sick Boy come knocking.

An unusual, real-world romance involving relatable people, with one catch - there are three of them! You Me Her infuses the sensibilities of a smart, grounded indie rom-com with a distinctive twist: one of the two parties just happens to be a suburban married couple.

In the outskirts of Tokyo, a poor but close-knit group living on the fringes of society survives through shoplifting and odd jobs. When Osamu and his son take in a neglected young girl, their already fragile existence begins to unravel. As the family grows attached to her, buried secrets surface, forcing them to confront the true meaning of love, belonging, and what makes a family.

After 20 years abroad, Mark Renton returns to Scotland and reunites with his old friends Sick Boy, Spud and Begbie.

Brass is a British comedy-drama series created by John Stevenson and Julian Roach, and produced by Granada Television for ITV and eventually Channel 4. Satirising the working-class period dramas of the 1970s and the American supersoaps such as Dallas and Dynasty, Brass was unusual for ITV comedies of the time, as there was no laugh track and the humour deliberately kept extremely dry, using convoluted wordplay and subtle commentary on popular culture. Set primarily in Utterley, a fictional Lancashire mining town in the 1930s, two feuding families—the wealthy Hardacres and the poor, working-class Fairchilds, who lived in a small terraced house rented from the Hardacre empire.

A middle aged carpenter, who requires state welfare after injuring himself, is joined by a single mother in a similar scenario.

Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor: a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers' union has assigned organizer Sam Shapiro to bring its "justice for janitors" campaign to the building. Sam finds Maya a willing listener, she's also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support; management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.

Young, impulsive Rosetta lives a hard and stressful life as she struggles to support herself and her alcoholic mother. Refusing all charity, she is desperate to maintain a dignified job.

Ricky and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self-employed delivery driver. It's hard work, and his wife's job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point.

The Walls is a 1983 Kuwaiti drama about two close friends facing contrasting family struggles. One is forced into marriage by her father, losing her mother’s support, while the other fears losing her father’s love when he remarries. The series explores themes of forced marriage and family breakdown with realistic storytelling and strong performances.

Shun and Nagisa first meet and fall in love during their first year of high school. While Shun is graduating from university, Nagisa tells him that he doesn't see a future for them. Despite Shun's strong feelings, they go their separate ways. Years later, Shun is now a store owner, living alone in a rural area. Out of the blue, Nagisa arrives with his six-year-old daughter, Sora. Spending time together, Shun realizes he still harbors feelings for Nagisa. Can Nagisa reconcile with his feelings for Shun, which have been there all along?

Three war-torn strangers posing as a family flee Sri Lanka’s civil war to start over in a troubled Paris suburb, but their past traumas resurface as they struggle to survive in their new environment.

At the age of 51 and after 20 months on unemployment, Thierry starts a new job that soon brings him face to face with a moral dilemma. How much is he willing to accept to keep his job?

In South Yorkshire, a small group of railway maintenance men discover that because of privatization, their lives will never be the same. When the trusty British Rail sign is replaced by one reading East Midland Infrastructure, it is clear that there will be the inevitable winners and losers as downsizing and efficiency become the new buzzwords.

Viveca is 31, divorced, and has a son of 6 years. She and her friend Aud have left the hectic everyday life and moved in with bohemians and artists. We follow these two women for five days, as they come in contact with many different people.

Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her old flame drives by and asks her to go on a date with him. Scared that he doesn't want to go out with her, she lies and tells him that she is just babysitting the kids. This will be her first date in years.

At the edge of Iceland’s Reykjanes peninsula, two women’s lives will intersect – for a brief moment – while trapped in circumstances unforeseen. Between a struggling Icelandic mother and an asylum seeker from Guinea-Bissau, a delicate bond will form as both strategize to get their lives back on track.

Angie is a working class woman. After being fired, she decides to set up a recruitment agency of her own, running it from her kitchen with her friend, Rose. Taking advantage of the desperation of immigrants, Angie builds a successful business extremely quickly.

From the director of Marius et Jeannette, this story of two working-class families is a fable with an optimist streak. A young black man, Francois, is wrongly accused of rape by a racist policeman. The story is told in voiceover by his childhood friend, neighbor, and the mother of his future child, Clementine, who is white. The city is Marseilles as in the previous film, symbolic with its churches, prisons and ruins. Except in this film, director Robert Guediguian also ventures outside, taking the story to Sarajevo; two different cities, one devastated by war, the other by a bad economy and unemployment. A la Place du coeur won a Special Jury Prize at the 1998 San Sebastian Film Festival and was also shown at the 1998 Toronto Film Festival and the 1998 Montreal Film Festival.

Lorna is a young Albanian woman in a marriage of convenience with Claudy, a heroin addict. Just as Lorna is about to be granted Belgian citizenship, Claudy finds the strength to detox; this presents a problem not only for Lorna, but for the criminal who brokered the deal.

Walter is a 60-year-old removal man for forced evictions. He recognizes in one of the tenants about to be evicted his estranged son, Jan. In order to help Jan, Walter has to confront not only his crooked boss but also his own past.

The story of a young mother with a failed marriage behind her, who fights daily for her dream to open a hair salon, challenging her fate in an effort to free herself and gain independence and right to happiness.